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" Thank you, Doctor. It's been very helpful talking to you."As he went out the door, he glanced back. Damn! He could have sworn that he had been talking to someone else these past 45 minutes. The good doctor was feminine in a matronly way, with exaggerated, slightly sagging bosoms and generous padding from the waist down. Dr. Philippa Dixon, in person. But... he had the distinct memory that he had come in to talk to a Dr. Philip Dixon, a distinguished grey-bearded gentleman in his 60s, wearing a conservative double-breasted gray suit with an old-fashioned pocket watch dangling from a heavy gold chain. Dana shook his head. More of this "unreality" shit (awareness displacement, one or the other Dr. Dixons had named it) that had been bugging him ever since he'd started having that damn dream.1953 was going to be a good year. Dana just knew it. And, not just because she was a newlywed, either. Eisenhower (We like Ike) was the country's new president and, by golly, he'd get the boys home. Since Sam Peckinpah, action is presented in slow motion, to allow us to grasp all that is happening. Hard Time declines to go that route. Throughout the film, action proceeds in real time, punctuated by still photos. The key elements are highlighted as they occur. A still enlargement appears alongside, holds for a moment, then fades. The result gives the viewer a feel for the rush of action, yet still follow the important details. The still shots were then used to transition between scenes.In the climactic scene, the stills multiply, culminating in a wide angle shot, filled with highlighted elements and surrounded by enlargements. In a respectful—and impactful—homage to the ending of Butch Cassidy and the Sundance Kid, the image morphs into a headline photo on the LA Times webpage. The old saying is that a picture is worth a thousand word. In this case, a single shot contains a dozen story lines....Entertainment Tonight—December 21, Fortney Donelson reportingET: We are talking with.
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